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Overzicht van het dagelijks leven in al zijn facetten

Cultuurgeschiedenis. --- geschiedenis. --- Geschiedenis van Europa. --- anno 500-1499. --- History of civilization --- geschiedenis --- History of Europe --- anno 500-1499 --- 091 <4> --- 091 "04/14" --- 091.31:7.04 --- 930.85.42 --- dagelijks leven --- middeleeuwen (x) --- 906 --- 925 --- huiselijk leven --- maatschappelijk leven --- middeleeuwen --- Bloemlezingen --- Dagelijks leven --- Middeleeuwen --- Miniatuur --- 930.85.42 Cultuurgeschiedenis: Middeleeuwen --- Cultuurgeschiedenis: Middeleeuwen --- 091.31:7.04 Verluchte handschriften: iconografie --- Verluchte handschriften: iconografie --- 091 "04/14" Handschriftenkunde. Handschriftencatalogi--Middeleeuwen --- Handschriftenkunde. Handschriftencatalogi--Middeleeuwen --- 091 <4> Handschriftenkunde. Handschriftencatalogi--Europa --- Handschriftenkunde. Handschriftencatalogi--Europa --- huiselijk en maatschappelijk leven --- geschiedenis - Middeleeuwen --- Historische verhalen --- Sociaal leven --- Geschiedenis --- Historisch verhaal --- Geneeskunde --- Techniek (wetenschap) --- Atlas --- Museum --- Kunstgeschiedenis --- Antropologie

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Is disseminating information the main purpose of scholarly scientific literature? Recent work in science studies signals a shift of emphasis from conceptual to material sources, from thinking to doing, and from representing the world to intervening in it. Scientific knowledge production is no longer seen as a process of seeking, collecting, organizing, and processing abstract elements, but instead one of assembling the many different material 'bits and pieces' of scientific culture in order to make things work. In Deflating Information, Bernd Frohmann draws on recent work in the social studies of science, finding the most significant material in the coordination of research work, the stabilization of matters of fact, and the manufacture of objectivity. Arguing for a 'deflationary' account of information, Frohmann challenges the central concept of information studies, thereby laying a foundation for a documentalist approach to emerging issues in the field.

Communicatie in de wetenschap --- Communication dans les sciences --- Communication in research --- Communication in science --- Communication scientifique --- Communications scientifiques --- Documentatie --- Documentation --- Informatiewetenschappen --- Information [Sciences de l'] --- Information science --- Science communication --- Science information --- Sciences de l'information --- Scientific communications --- #SBIB:044.IOS --- #SBIB:316.23H2 --- Sociologie van de wetenschappen --- Communication in science. --- Documentation. --- Information science. --- Science --- Sciences de l'information. --- Sciences --- Methodology. --- Social aspects. --- Aspect social. --- Scientific method --- Science and society --- Sociology of science --- Logic, Symbolic and mathematical --- Communication --- Information literacy --- Library science --- Information services --- Methodology --- Social aspects --- 091.31:7.04 --- 091 <456.31> --- 091 VERGILIUS MARO, PUBLIUS --- 091.31 <45> --- 091 =71 --- 091.31:7.04 Verluchte handschriften: iconografie --- Verluchte handschriften: iconografie --- 091 =71 Handschriftenkunde. Handschriftencatalogi--Latijn --- Handschriftenkunde. Handschriftencatalogi--Latijn --- 091.31 <45> Verluchte handschriften--Italië --- Verluchte handschriften--Italië --- 091 VERGILIUS MARO, PUBLIUS Handschriftenkunde. Handschriftencatalogi--VERGILIUS MARO, PUBLIUS --- Handschriftenkunde. Handschriftencatalogi--VERGILIUS MARO, PUBLIUS --- 091 <456.31> Handschriftenkunde. Handschriftencatalogi--Vaticaanstad. Kerkelijke Staat --- Handschriftenkunde. Handschriftencatalogi--Vaticaanstad. Kerkelijke Staat

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Mediaeval Manichean Book Art focuses on a corpus of c. one hundred fragments of exquisitely illuminated manuscripts that were produced under the patronage of the Turkic-speaking Uygurs in the Turfan region of East Central Asia between the 8th and 11th centuries CE, and used in service of the local Manichaean church. By applying a codicological approach to the analysis of these sources, this study casts light onto a lost episode of Central Asian art history and religious book culture. Each of the five chapters in this book accomplishes a well-defined goal. The first justifies the formation of the corpus . The second examines its dating on the basis of scientific and historical evidence. Chapter three assesses the artistry of their bookmakers, scribes, and illuminators. The fourth documents the patterns of page layout preserved on the fragments. The final chapter analyses the contextual relationship of their painted and written contents . Mediaeval Manichaean Book Art represents a pioneer study in its subject, research methodology, and illustrations. It extracts codicological and art historical data from torn remains of lavishly decorated Middle-Persian, Sogdian, and Uygur language manuscripts in codex, scroll, and "palm-leaf" formats. Through detailed analyses and carefully argued interpretations aided by precise computer drawings, the author introduces an important group of primary sources for future comparative research in Central Asian art, mediaeval book illumination, and Manichaean studies.

Illumination of books and manuscripts, Manichaean --- Illumination of books and manuscripts, Medieval --- 091 =915 --- 091 =943 --- 091 <43 BERLIN> --- 091.31:7.04 --- 091.31:75.033.3 --- 273.21 --- 091.14 --- 091.14 Codicologie. Codices. Scriptoria --- Codicologie. Codices. Scriptoria --- 273.21 Manicheïsme --- Manicheïsme --- 091.31:7.04 Verluchte handschriften: iconografie --- Verluchte handschriften: iconografie --- 091 =943 Handschriftenkunde. Handschriftencatalogi--Turks --- Handschriftenkunde. Handschriftencatalogi--Turks --- 091 =915 Handschriftenkunde. Handschriftencatalogi--Iraans. Perzisch --- Handschriftenkunde. Handschriftencatalogi--Iraans. Perzisch --- 091.31:75.033.3 Verluchte handschriften-:-Schilderkunst--?.033.3 --- Verluchte handschriften-:-Schilderkunst--?.033.3 --- 091 <43 BERLIN> Handschriftenkunde. Handschriftencatalogi--Duitsland voor 1945 en na 1989--BERLIN --- Handschriftenkunde. Handschriftencatalogi--Duitsland voor 1945 en na 1989--BERLIN --- Painting, Medieval --- Manichaean illumination of books and manuscripts --- Illumination of books and manuscripts

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In Imagining the Text , James Brown examines ekphrasis – the verbal representation of a visual representation – in Wirnt von Gravenberg’s thirteenth-century Arthurian romance Wigalois , one of the most popular and enduring stories in the Middle High German literary tradition. Through close reading of the text and examining illustrated Wigalois manuscripts, early print editions, and frescoes, Brown explores how ekphrasis structures the narrative, harmonizes potential conflicts in the text, and contributes to the construction of courtly identity. Imagining the Text demonstrates that the vibrant symbiosis of word and image is crucial to the poem’s sustained popularity for more than six hundred years, and contributes to the history of the book and to the study of medieval and modern modes of perception.

Ekphrasis. --- Knights and knighthood in literature. --- Guinglain (Legendary character) --- Arthurian romances --- Ecphrasis --- Art in literature --- Description (Rhetoric) --- Romances --- History and criticism. --- Wirnt, --- 091 =30 --- 094:801 --- 094:82-34 --- 091.31:7.04 --- 091.31:7.04 Verluchte handschriften: iconografie --- Verluchte handschriften: iconografie --- 094:82-34 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Sprookje. Legende. Mythe --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Sprookje. Legende. Mythe --- 094:801 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Algemene taalwetenschap. Filologie --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Algemene taalwetenschap. Filologie --- 091 =30 Handschriftenkunde. Handschriftencatalogi--Duits --- Handschriftenkunde. Handschriftencatalogi--Duits --- Wirnt von Grafenberg --- Guinglain --- Bel Inconnu --- Fair Unknown --- Gingalain --- Gingalin --- Gliglois --- Libeaus --- Viduvilt --- Wieduwilt --- Wigalois

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In Imago Mortis: Mediating Images of Death in Late Medieval Culture , Ashby Kinch argues for the affirmative quality of late medieval death art and literature, providing a new, interdisciplinary approach to a well-known body of material. He demonstrates the surprising and effective ways that late medieval artists appropriated images of death and dying as a means to affirm their artistic, social, and political identities. The book dedicates each of its three sections to a pairing of a visual convention (deathbed scenes, the Three Living and Three Dead, and the Dance of Death) and a Middle English literary text (Hoccleve’s Lerne for to die , Audelay’s Three Dead Kings , and Lydgate’s Dance of Death ).

Thematology --- Iconography --- anno 500-1499 --- Death in art. --- Death in literature. --- Art, Medieval. --- Literature, Medieval --- Visual communication --- Middle Ages. --- Death --- Mort dans l'art --- Mort dans la littérature --- Art médiéval --- Littérature médiévale --- Communication visuelle --- Moyen Age --- Mort --- History and criticism. --- History --- Social aspects --- Histoire et critique --- Histoire --- Aspect social --- Europe --- Intellectual life. --- Social conditions --- Vie intellectuelle --- Conditions sociales --- 393 --- 091.31:7.04 --- 7.045 --- Dood. Dodengebruiken. Dodenritueel. Lijkverbranding. Begrafenis. Crematie. Rouw. Opbaren. Lijkstoet. Sterven. Dodenmaskers --- Verluchte handschriften: iconografie --- Iconografie: allegorieen; symbolen; dodendansen; emblemata --- Totentanz --- Künste --- Kunst --- Literatur --- Art. --- Death. --- Literature. --- Literature, Medieval. --- Social history. --- Visual communication. --- Social aspects. --- To 1500. --- Europe. --- Art, Medieval -- History. --- Death -- Social aspects -- Europe -- History -- To 1500. --- Europe -- Intellectual life. --- Europe -- Social conditions -- To 1492. --- Literature, Medieval -- History and criticism. --- Visual communication -- Europe -- History -- To 1500. --- Death in art --- Death in literature --- Art, Medieval --- Middle Ages --- Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General --- History and criticism --- Totentanz. --- Künste. --- Kunst. --- Literatur. --- 7.045 Iconografie: allegorieen; symbolen; dodendansen; emblemata --- 091.31:7.04 Verluchte handschriften: iconografie --- 393 Dood. Dodengebruiken. Dodenritueel. Lijkverbranding. Begrafenis. Crematie. Rouw. Opbaren. Lijkstoet. Sterven. Dodenmaskers --- Mort dans la littérature --- Art médiéval --- Littérature médiévale --- Graphic communication --- Imaginal communication --- Pictorial communication --- Communication --- Dark Ages --- History, Medieval --- Medieval history --- Medieval period --- World history, Medieval --- World history --- Civilization, Medieval --- Medievalism --- Renaissance --- Dying --- End of life --- Life --- Terminal care --- Terminally ill --- Thanatology --- Medieval art --- Philosophy --- 393 Death. Treatment of corpses. Funerals. Death rites --- Death. Treatment of corpses. Funerals. Death rites --- History.